何以潇湘:宋代潇湘题材绘画的衍化、内涵与社交情境  

An Investigation of the Effect of the Communication of Painting Art in the Song Dynasties from the Viewpoint of Social Context-Taking the Theme of"Xiaoxiang"as An Example

作　　者：宋芳斌 甘锋[2,3] SONG Fang-bin;GAN Feng(School of Design Art&Media,Nanjing University of Science and Technology,Nanjing,Jiangsu 210094;School of Arts,Southeast University,Nanjing,Jiangsu 210096;Culture and Tourism Industry Think Tank Chinese Art Evaluation Institute,Southeast University,Nanjing,Jiangsu 210096)

机构地区：[1]南京理工大学设计艺术与传媒学院,江苏南京210094 [2]东南大学艺术学院,江苏南京210096 [3]国家文化和旅游行业智库东南大学中国艺术发展评价研究院,江苏南京211189

出　　处：《艺术百家》2023年第2期145-152,共8页Hundred Schools In Arts

基　　金：2021年度国家社科基金艺术学重大项目“艺术评价体系的理论与实践创新研究”(项目编号:21ZD11)阶段性成果;2021年度国家社科基金艺术学青年项目“吴门画派赠礼画研究”(项目编号:21CF184)阶段性成果;2022年度中央高校基本科研业务费专项基金项目“媒介选代视域下宋代艺术观念转型研究”(项目编号:30922011211)阶段性成果之一。

摘　　要：潇湘题材是中国绘画艺术表现的传统题材之一。宋代潇湘题材绘画经由文人群体的建构逐渐呈现出诗意化与意义化的总体面貌。论文基于美术学、社会学与传播学等交叉的学科立场,从潇湘题材绘画的发展变化、文化内涵塑造与社交使用情境三个层面,阐释潇湘题材绘画的典范意义、文人绘画之传播属性以及不同社交情境下绘画的使用方式等问题,揭示潇湘题材绘画在中国艺术史上的重要意义与价值。The phenomenon of the dissemination of painting art in the two Song dynasties constitutes an organic art dissemination whole together with history,culture,society and economy.A review of previous studies reveals that scholars have,to a certain extent,clarified the transmission and development of painting in the context of the origins of the artists'mastery,their personal experiences and their social interactions.However,little has been said about the social context in which the art of painting in the two Song dynasties began to reveal its"representational"and"social"characteristics,as well as how it was generated,presented,used in context and influenced by meaning.This paper discusses these issues in depth from the perspective of"Xiaoxiang"as an example,with a view to bringing the issue deeper.

关 键 词：潇湘题材 宋代绘画 社交情境 艺术传播 

分 类 号：J212[艺术—美术]