基于造字理据的汉字设计重构与运用  

The Reconstruction and Application of Chinese Character Design Based on the Creation Motivation

作　　者：刘凤云[1] LIU Feng-yun(Shanghai Art&Design Academy,Shanghai,201808)

机构地区：[1]上海工艺美术职业学院,上海201808

出　　处：《湖南包装》2023年第2期185-188,共4页

摘　　要：通过剖析汉字设计中的过度设计现象,提出在汉字设计中要遵循汉字的造字理据,即汉字的起源、单字的形体构造、合体字的组构原则、汉民族用字的心理和习惯等。通过分析汉字造字理据“六书”中的象形字,提出在汉字设计时要符合汉字的理据性,根据汉字字体演变及背后的逻辑性在汉字设计时进行重构与运用,挖掘汉字文化源流,在继承中创新,将汉字作为中国文化的象征符号来进行文化和艺术的跨界融合,增强国人的民族自信。By analyzing the excessive design phenomenon in the design of Chinese characters,the author proposes that in the design of Chinese characters,the rationale for the creation of Chinese characters should be followed,that is,the origin of Chinese characters,the shape and structure of single characters,the composition principles of combined characters,and the psychology and habits of Chinese people as far as using characters is concerned.Based on the analysis of the pictographic characters in“six categories of characters”,this paper puts forward that in the design of Chinese characters,the pictographic characters should conform to the motivation of Chinese characters,and that in the design of Chinese characters the pictographic characters should be reconstructed and applied under the guidance of the evolution of Chinese characters and the logic behind them so that the cultural origin of Chinese characters can be excavated,innovated in the process of inheritance.Additionally,Chinese characters should be used as symbols of Chinese culture to carry out cross-border integration of culture and art,and enhance the national self-confidence of Chinese peo ple.

关 键 词：汉字设计 造字理据 象形字 矫正策略 

分 类 号：J524[艺术—艺术设计]