塞缪尔·贝克特的“无人之地”  

Samuel Beckett's"No Man's Land"

作　　者：陈淑仪 CHEN Shuyi(School of Chinese Language and Literature,Beijing Normal University,Beijing 100875,China)

机构地区：[1]北京师范大学文学院,北京100875

出　　处：《中北大学学报（社会科学版）》2023年第3期19-23,共5页Journal of North University of China：Social Science Edition

摘　　要：塞缪尔·贝克特试图以主客体的“非关系”解决主客二元论带来的主体对客体的遮蔽问题,恢复主体对世界的感受的真实性以及客体形象的真实性。主客体关系是贝克特长久探索的文学问题。通过考察从主客体关系的崩溃到主客体之间“非关系”确立的过程,可以发现贝克特试图以“无人之地”开创二元对立之外的空间,以缺席即在场的方式恢复物的真实存在,以对非关系的失败表达书写对分崩离析的世界之真实感受。这样的艺术才能洞穿遮蔽现实的面纱,展现人类真实的生存困境。Samuel Beckett attempted to use the"non-relationship"between subject and object to address the problem of the subject's concealment of the object brought about by the subject-object duality,restoring the authenticity of the subject's perception of the world and the authenticity of the object's image.The subject-object relationship is a literary issue that Beckett has long explored.By examining the process from the breakdown of the subject-object relationship to the establishment of the"nonrelationship"between these two,we can see that Beckett attempts to create a space beyond the binary opposition in"No Man's Land",restoring the true existence of objects in an absent presence manner and expressing the true feelings towards a disintegrated world.This kind of art can penetrate the veil that conceals reality and reveal the true nature of humanity.

关 键 词：塞缪尔·贝克特 “无人之地” 非关系 失败美学 

分 类 号：I05[文学—文学理论]