噪音、静默与合唱:论当代西方剧场的声景  

Noise,Silence and Chorus:On the Soundscape of Contemporary Western Theatre

作　　者：陈恬[1] Chen Tian(Department of Theatre,Film and TV in the School of Liberal Arts at Nanjing University)

机构地区：[1]南京大学文学院戏剧影视艺术系

出　　处：《文艺理论研究》2023年第2期79-88,共10页Theoretical Studies in Literature and Art

摘　　要：质疑并挑战主导戏剧剧场的视觉主义,重新协调视觉与听觉以及其他感官之间的张力,尝试重建一种具有整体性的知觉系统,是20世纪先锋剧场实践的重要面向。剧场艺术的听觉转向,推动了声音设计成为剧场独立部门,其职能从提供装饰性音效的技术支持,转向探索声音自身表演性的艺术创作,尤其是对非语义性声音的挖掘、利用和强调。当代西方剧场中的噪音、静默与合唱,不仅反映了当代社会在密度和复杂性方面急遽变化的声音环境,也使剧场成为反思人类知觉方式的实践场所。Questioning and challenging the ocularcentrism that dominated traditional dramatic theatre,reconciling the tension between the visual and the auditory and other senses,and attempting to reconstruct a perceptual system with a holistic approach—these were important orientations of avant-garde theatre in the twentieth century.In the context of the aural turn,sound design has become an independent department of the theatre,and its function shifted from providing technical support for decorative sound effects to exploring the performativity of sound itself,especially with an emphasis on non-semantic sound.Noise,silence and chorus in contemporary Western theatre not only demonstrate the rapidly changing sound environment of contemporary society in terms of density and complexity,but also make theatre a place for reflecting on the forms of human perception.

关 键 词：当代剧场 噪音 静默 合唱 声景 

分 类 号：J805[艺术—戏剧戏曲]