从《艺概》看刘熙载对苏轼诗词的评点  

Liu Xizai’s Comments on Su Shi's Poems Based on Book General Studies of Art

作　　者：杨建梅 YANG Jian-mei(School of Liberal Arts,Yunnan Normal University,Kunming 650500,China)

机构地区：[1]云南师范大学文学院,云南昆明650500

出　　处：《湖北工业职业技术学院学报》2023年第2期63-68,共6页Journal of Hubei Industrial Polytechnic

摘　　要：刘熙载在《艺概》一书中对东坡诗词之论尤深。刘熙载对苏轼的评述主要有两个方面:第一认为苏诗渊薮源于老庄、创作中采用“打通后壁说话及翻案”和“空诸所有及无中生有”的方法且诗歌具有“清新旷趣”的风格特点。第二阐述“似花还似非花”为苏词写作的关键、清新为苏词的本色和苏词具有他人难以企及的地位。刘熙载采用自己对苏轼诗词提出见解、对比并举苏轼和其他诗人、将苏轼诗词作为评判他人作品的标准三种方式表达对苏轼的推崇。刘熙载对苏轼诗词的肯定源于两人在儒佛道思想的影响下对人生态度和作品创作有共同的旨趣、两人同为至情至性之人和受到清代诗论家论苏诗词风气的影响。Liu Xizai makes many comments on Su Shi’s poetry in his book General Studies of Art.There are two main aspects of his comments.The first is that the source of Su’s poetry comes from Zhuangzi,with the style of being fresh and interesting.Secondly,it expounds the key to the Su Ci writing,the nature and the unattainable position of Su Ci.Liu Xizai expresses his admiration for Su Shi in three ways:putting forward his own opinions on Su Shi’s poems,comparing Su Shi and other poets,and taking Su Shi’s poems as the standard for judging others’works.Liu Xizai’s affirmation of Su Shi’s poetry stems from their common interest in life attitude and work creation under the influence of Confucianism,Buddhism and Taoism,and they are both influenced by the poetry of the Qing Dynasty.

关 键 词：刘熙载 苏轼 艺概 

分 类 号：I206.09[文学—中国文学]