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作 者:徐怀丰 王桂青[2] XU Huai-feng;WANG Gui-qing(Public Basic Teaching and Research Department,Shandong Police College,Jinan 250000,China;Department of Humanities and Social Sciences,Shanghai University of International Business and Economics,Shanghai 201620,China)
机构地区:[1]山东警察学院公共基础教研部,济南250000 [2]上海对外经贸大学人文社科部,上海201620
出 处:《山东青年政治学院学报》2023年第3期90-95,共6页Journal of Shandong Youth University of Political Science
摘 要:20世纪三四十年代的上海,在动荡的社会政治环境与西方资本主义渗透的双重背景下,率先走在了中国现代化发展的前列,上海成为作家写不尽的城市。在白先勇的《永远的尹雪艳》与王安忆的《长恨歌》中,尹雪艳与王琦瑶被塑造成象征20世纪三四十年代的上海的符号。具体而言,二人的内慧外美成为摩登符号的象征,同时也成为欲望符号的表象,而在尹雪艳与王琦瑶上海符号身份的背后,是作家浓厚家园意识的表达,因此,尹雪艳与王琦瑶又成为了家园符号的象征。In the 1930s and 1940s,Shanghai took the lead in China's modernization development against the backdrop of a turbulent social and political environment and the infiltration of western capitalism.Shanghai became a city that has endless stories.In Pai Hsien-yung's Forever Yin Xueyan and Wang Anyi's Eternal Regret Song,Yin Xueyan and Wang Qiyao are shaped as symbols of Shanghai in the 1930s and 1940s.Specifically,their inner wisdom and outer beauty have become symbols of modern symbols,as well as the representation of desire symbols.Behind the symbolic identities of Yin Xueyan and Wang Qiyao in Shanghai,they are the expression of the authors'strong sense of home.Therefore,Yin Xueyan and Wang Qiyao have become symbols of home symbols.
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