教育、性别与社会:中欧狼外婆型故事再探——基于张振犁《狼外婆》和格林兄弟《小红帽》之比较  

Education,Gender and Society:A Further Exploration of the Wolf-Grandmother-Type Stories in China and Europe——Based on the Comparison between Zhang Zhen-li’s Wolf Grandmother and Grimm brothers’

作　　者：刘春艳[1] LIU Chun-yan(College of Literature,Pingdingshan University,Pingdingshan 467000,Henan,China)

机构地区：[1]平顶山学院文学院,河南平顶山467000

出　　处：《喀什大学学报》2023年第2期85-90,共6页Journal of Kashi University

基　　金：平顶山学院博士科研启动项目“河南穆桂英传说与地方传统的互构研究”(PXY-BSQD-2022044)的阶段性成果。

摘　　要：狼外婆故事是在世界范围内广泛流传的故事类型,重新审视中国和欧洲的代表性文本《狼外婆》和《小红帽》,发现二者在针对儿童的教育取向、理想女性的角色塑造,以及故事生成的社会结构形态方面均存在显著差异。追溯其根源,前者深受中国儒家人伦思想和道家阴阳调和观念的濡染,是农耕社会的典型文化产物;后者则缘于西方男女性别二元对立的文化传统,实为资本主义社会中产阶级家庭的形象代言。中欧狼外婆故事的多维度比较、对照侧面反映了民间故事独特的社会文化史价值。Wolf-grandmother is a typical story widely spread in the world.Through reviewing the most representative texts of China and Europe,Wolf Grandmother and Little Red Cap,we find out there are significant differences between them in the education orientation for children,the role shaping of ideal women,and the social structure of the stories.Tracing back to its roots,the former is deeply influenced by Chinese Confucian ethics and Taoism's concept of Yin-Yang harmony,which is the cultural product of traditional farming society;the latter is derived from the cultural tradition of male and female binary opposition in the West,and actually it is the image spokesman of bourgeois middle-class families.The multi-dimensional comparison of wolf grandmother stories between China and Europe reveals the unique social and cultural history value of folk tales.

关 键 词：《狼外婆》 《小红帽》 教育取向 女性形象 社会形态 

分 类 号：I27[文学—中国文学]