语图互文视角下《洛丽塔》中译本封面审美意味缺失的时代想象  

The Aesthetic Absence of the Covers of Lolita’s Chinese Translations From the Perspective of Language-Graphic Intertextuality

作　　者：吴梦宇 陈琳琳 WU Meng-yu;CHEN Lin-lin(School of Foreign Studies,South China Normal University,Guangzhou,Guangdong 510660;School of Foreign Languages,Qingdao University of Science&Technology,Qingdao,Shandong 266061)

机构地区：[1]华南师范大学外国语言文化学院,广东广州510660 [2]青岛科技大学外语学院,山东青岛266061

出　　处：《汕头大学学报（人文社会科学版）》2022年第11期43-49,95,共8页Journal of Shantou University(Humanities and Social Sciences Edition)

摘　　要：新时期中国在引进《洛丽塔》时,在书籍封面设计上呈现了审美意味缺失的倾向,造成了封面与文本的异质关系,从而掩盖了二者在认知意味上的同构性,以及文化研究上的重要性。《洛丽塔》封面审美意味的缺失,是新时期中国社会走向民间和走向边缘的一种伴生现象,是社会群体认知需求的一种显性呈现,折射了性意识的觉醒和个体体验的转向。审美意味的缺失虽然导致了文本与封面之间的疏离,但二者在后现代的质上保持着高度的统一,都在意指过程中呈现了解构性、荒诞性和非理性的特征,符合了新时期中国人的认知需求。本文对《洛丽塔》文本与封面的语图互文研究,揭示了不合乎审美规范文化现象隐含的时代想象和思想倾向,突出了非审美性文化现象的独特研究价值。When Lolita was introduced to China in the late 20th century,the design of the book covers turns out to be aesthetically lacking,which results in a heterogeneous relationship between cover and text and thus obscures the cognitive homogeneity of the two as well as its importance for cultural studies.This phenomenon is concomitant with the move toward the folk and the marginal in new China,and it manifests the cognitive needs of social groups and reflects an awakening of sexual consciousness as well as a turn toward individual experience.Despite the dissonance between text and cover caused by the aesthetic failure,both present postmodern characteristics in signification like deconstruction,absurdity and irrationality in line with the cognitive needs of China in the new era.This paper studies the language-graphic intertextuality betrween Lolita’s text and cover,reveals the imagination and ideology of the time as implied in unaesthetic cultural phenomena,and highlights the unique research value of these phenomena.

关 键 词：语图互文 封面设计 审美缺失 个体体验 时代想象 

分 类 号：I0-05[文学—文学理论]