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作 者:张俊峰 高玉[1] ZHANG Junfeng;GAO Yu(College of Humanities,Zhejiang Normal University,Jinhua,Zhejiang 321004)
出 处:《中国文学研究》2023年第2期8-14,共7页Research of Chinese Literature
摘 要:无论在概念发展还是在文学实践中,形式都不仅仅是表层性的技巧手法,而且是表达思想主题的表意性载体,具有二重性。形式主义文论的文学形式研究同时关注技法及其表意功能,这为之后的文论提供方法资源。形式主义文论的退场只是视形式为本体的形式主义流派的退场,而非形式研究的退场。新历史主义、新马克思主义等批评理论吸收了形式主义文论的研究方法,并将形式表意性研究付诸实践。在此基础上,形式研究可以为“内部研究”与“外部研究”的结合提供可能,同时为百年来文论不断转向的“钟摆”问题提供一条解决路径。In both conceptual development and literary practice,form with its dual properties is not only regarded as a superficial technique,but also an ideographic carrier for expressing the theme.The study of literary form in literary theory of formalism also starts from the dual properties of technique and its ideographic function,which provides method support for subsequent literary theories.The withdrawal of literary theory of formalism is only the withdrawal of the formalist school that regarded form as the noumenon,not the withdrawal of form study.Literary theories including new historicism and neo-Marxism have learned from the research methods of literary theory of formalism,and put it into the practice of ideographic research of form.On this basis,form study can provide the possibility to combine"the internal study"and"the extrinsic study",which also provides a solution to the"pendulum"problem in literary theory which has been constantly turning over the past century.
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