论纳尔逊·古德曼艺术哲学的三个主题  

ThreeThemes in Nelson Goodman's Philosophy of Art

作　　者：章辉[1] ZHANG Hui(Research Center of Film and Television Culture and Industry,ChinaThree Gorges University,Yichang,Hubei 443002)

机构地区：[1]三峡大学影视文化与产业发展研究中心,湖北宜昌443002

出　　处：《中国文学研究》2023年第2期15-23,共9页Research of Chinese Literature

基　　金：湖北省普通高校人文社会科学重点研究基地影视文化与产业发展研究中心项目(2022yskf01)。

摘　　要：古德曼以“何时”代替传统美学的“何为”界定艺术,试图走出本质主义思维的局限,突出艺术身份的动态性;区分多重艺术和单一艺术、签名艺术和非签名艺术,提出艺术原作和艺术赝品的审美价值问题;反思传统艺术风格只关系到艺术作品的形式的观点,主张风格包括内容和形式的特定特质,界定了风格的意义和价值。古德曼的艺术哲学因应时代艺术新变,具有高度的创造性,对中西当代美学和艺术学研究具有重要的借鉴意义。Goodman defined art by"when"instead of"what"in traditional aesthetics,trying to walk out of the limitation of essentialist thinking and highlight the dynamic identity of art.He distinguished multiple art from single art,autographic art from allographic art,and put forward the aesthetic value of original art and fake art.Reflecting on the traditional view that art style is only related to the form of art works,he argued that style includes the specific characteristics of content and form,and redefined the meaning and value of style.Goodman's philosophy of art is highly creative in accordance with the new changes of contemporary art,and has great significance for the study of contemporary aesthetics and art in China and the West.

关 键 词：艺术定义 艺术本体论 艺术风格 

分 类 号：I02[文学—文学理论]