源于自然的灵感——植物仿生在现代陶艺中的应用  

Inspiration from Nature-Application of Plant Bionics in Ceramic Art

作　　者：袁梦 Yuan Meng(Jingdezhen Ceramic University,Jingdezhen,333403)

机构地区：[1]景德镇陶瓷大学,景德镇333403

出　　处：《陶瓷研究》2023年第1期106-108,共3页Ceramic Studies

摘　　要：我们世世与自然相依,大自然在给人充实的资源之外,其最真实的、不需修饰的、瞬息万变的色彩美、形态美也让人沉醉,给予艺术的灵感。因此仿生设计早在原始社会时代就涌现,持续至今。陶瓷艺术中也蕴含着仿生设计学的理念,艺术家把大自然各类生命体中受到的启发与陶瓷的艺术技法相融,使作品越发具有生命。植物仿生也是其最常见的一种,其多变的形态、丰富的色彩、不同的肌理与陶瓷结合碰撞出的化学火花,使人惊艳。本文将具体阐述在自然界植物感受下所创作出来的陶瓷艺术,不仅是对形态的绝对仿生,还有其蕴藏的情感表达。通过对实例的归纳整理总结出现代陶艺中师法自然,胜于自然的美感,也使陶艺家们更多地去关注自然、欣赏自然。Our world is dependent on nature.In addition to the abundant resources given by nature,its most real,unmodified and rapidly changing color beauty and shape beauty also intoxicate people and give artistic inspiration.Therefore,bionic design appeared as early as the primitive society and continues to this day.Ceramic art also contains the concept of bionic design.Artists integrate the inspiration from various life bodies in nature with the artistic techniques of ceramics to make their works more life.Plant bionics is also the most common one.Its changeable shape,rich colors,different textures and chemical sparks from the combination of ceramics are amazing.This paper will elaborate on the ceramic art created under the feeling of plants in nature,which is not only the absolute bionics of form,but also its emotional expression.By summarizing and sorting out the examples,it is concluded that learning from nature is better than the beauty of nature in ceramic art,which also makes potters pay more attention to and appreciate nature.

关 键 词：师法自然 现代陶艺 植物仿生 仿生设计 

分 类 号：J0[艺术—艺术理论]