仕与诗的互动——论寇准的政治心态及其诗风变迁  

The Interaction between Officaldom and Poetry--the Style Change under the Political Psychology of Kou Zhun

作　　者：袁辉 YUAN Hui(School of Liberal Arts,LiaochengUniversity,Liaocheng 252059,China)

机构地区：[1]聊城大学文学院,山东聊城252059

出　　处：《聊城大学学报（社会科学版）》2023年第3期115-123,共9页Journal of Liaocheng University:Social Science Edition

基　　金：国家社会科学基金一般项目(21BZW097):政治文化视域下的北宋士人心态与文学演进研究。

摘　　要：通常被视作“晚唐体”诗人的寇准,他的仕宦际遇在社会转型期具有鲜明的典型性。既有随着主体人格崛起而冀望有为的一面,同时又承续着宋初以来出处唯谨的士风,二者常常交织于心,使寇准在人格心态上不时呈现出矛盾的倾向,同时也造就了他的政治品格与诗歌创作在互动中又有乖违的特征。寇准在宦海浮沉中的心态演变及诗风变迁一方面体现了在北宋崇儒重文的社会风气下士人身份由儒臣向文臣的转变,另一方面也体现出传统宋初三体的诗歌史格局渐趋解体的过渡性特征。这些往往因为寇准文名为政能所掩的历史形象定位而为研究者所忽略。Kou Zhuni's offical career who is usually regarded as a poet of Late-Tang-Dynasty Poetic Form has typical representativeness in the period of social transition.Both hoping to make a difference as the rising of subjective personality for one side,and also continubing the carful atmosphere since the initial stage of Song Dynasty,which always mixed in his heart and make the contradictory tendency in his psychology.This tendency lead to the feature of division among the interaction between political character and poetic creation.The evolution reflecst the change of scholars's identity minister in the atmosphere of confucianism advocating and literature attention,also including the transitional traits about the collapse of three style in the early of Song Dynasty which is usually ignored by the reseachers.

关 键 词：寇准 政治文化 政治心态 诗风变迁 

分 类 号：I206.2[文学—中国文学]