奥德修斯3.0:新媒介现实与第三个神话时代  

Odysseus 3.0:New Media Reality and Third Mythical Era

作　　者：黎杨全[1,2] LI Yangquan(School of Chinese Language and Literature,Central China Normal University,Wuhan,Hubei 430079,China;Center for the Study of Literary Theory and Criticism of Hubei,Central China Normal University,Wuhan,Hubei 430079,China)

机构地区：[1]华中师范大学文学院,湖北武汉430079 [2]华中师范大学湖北文学理论与批评研究中心,湖北武汉430079

出　　处：《广州大学学报（社会科学版）》2023年第3期92-98,共7页Journal of Guangzhou University:Social Science Edition

基　　金：国家社会科学基金重点项目(21AZW002)。

摘　　要：数字时代的文学表现出神话复兴的趋势。这种神话并不只是人们所认为的是对现实的脱离,也不只是技术运用的效果,而是以神话方式呈现的新媒介现实。古代神话、现代主义文学中的“神话主义”与数字时代文学中的数码神话构成了三个神话时代,它们在神话性与日常性的结合、命运感及死而复生模式方面呈现出相似性。《奥德赛》中的奥德修斯、《尤利西斯》中的布卢姆以及科幻电影《2001:太空奥德赛》中的超级电脑“哈尔”,代表了三个神话时代的人类形象及对世界的探索,数字时代的后人类主体构成了奥德修斯3.0。应从文学人类学的视野去理解数字时代的文学,它构成了一种独特的现实主义,在神鬼情节与大众欲望背后,折射的是数字化社会的现实。Literature in the digital age exhibits a mythological renaissance.This myth is not just what is perceived as a detachment from reality or an effect of the use of technology,but a new media reality presented in a mythical way.Ancient mythology,″mythicism″in modernist literature and digital mythology in the literature of the digital age constitute three mythological eras,which show similarities in terms of the combination of mythology and everydayness,the sense of destiny and the mode of resurrection from the dead.Odysseus in Odysseus,Bloom in Ulysses,and Hal in the science fiction film 2001:A Space Odyssey represent three mythological eras of human beings and their exploration of the world.The posthuman subject in the digital age constitutes Odysseus 3.0.Literature in the digital age should be understood from the perspective of literary anthropology,which constitutes a unique kind of realism that reflects the reality of digital society behind the plots of gods and ghosts and popular desires.

关 键 词：新媒介 数字时代的文学 数码神话时代 奥德修斯 

分 类 号：I0-05[文学—文学理论] G206.2[文化科学—传播学]