“经济侠”的诞生与超越:国风角色扮演游戏战斗系统的文化批评  

The Birth and Transcendence of“Economical-Ranger”:Cultural Criticism of the Combat System in Chinese-style Role playing Games

作　　者：毛睿喆 Mao Ruizhe

机构地区：[1]南开大学文学院

出　　处：《媒介批评》2022年第2期375-392,共18页Media Criticism

基　　金：国家社科基金重大项目“虚拟现实媒介叙事研究”(项目号:21&ZD327)的研究成果。

摘　　要：角色扮演游戏(Role-playing Games,简称为RPG)作为电子游戏的重要文本类型,是当今最常见的互动叙事文本形式之一。国风RPG的诞生与电子游戏在中国的发展与传播联系紧密,其叙事逻辑是中国电子游戏创作的原点。在国风RPG中,情节叙事与战斗系统之间有明显的裂痕,受传统文化影响的“武侠”不复存在,而受经济逻辑影响、奉行功利主义的“经济侠”替代了其位置。RPG正是通过言说“经济侠”的故事,再现了现实社会的权力结构与文化逻辑。在游戏系统之外,玩家的游玩也是电子游戏中不能忽视的要素。玩家在遍历中化身为“经济侠”,基于对战斗系统象征秩序的臣服体验快感。与此同时,玩家也在能动中追逐享乐,尝试创生象征秩序之外的“某物”。Role playing Games(RPG),as an impottant type of video games,is one of the most common forms of interactive narrative texts today.The birth of Chinese-style RPG is closely related to the development and dis-semination of yideo games in China,and its narrative logic is the origin of Chinese video game creation.In the Chinese-style RPG,there is a rift be-tween the plot narrative and the combat system.The chivalry culture inheri-ted from traditional texts no longer exists,but the“economical-ranger”which is influenced by economic logic and utilitarianism takes its place.RPG represents the power structure and cultural logic of the real society,by telling the story of“economical-ranger”.In addition to the game system,players'behavior is also a significant element in video games.Players experi-ence pleasure by subjection to the symbolic order of the combat system,trav-ersing as“economical-ranger”in ergodic.At the same time,players are cha-sing jouissance in agency,creating“something”other than the symbolic or der.

关 键 词：角色扮演游戏 国风 象征秩序 快感 享乐 “某物” 

分 类 号：G206[文化科学—传播学] G899