中国传统民族器乐曲中的隐喻  

Metaphors in Traditional Chinese Ethnic Instrumental Music

作　　者：毛为 杜亚雄[2] MAO Wei;DU Ya-xiong(School of Music,Hangzhou Normal University,Hangzhou 311121,China;China Conservatory of Music,Beijing 100101,China)

机构地区：[1]杭州师范大学音乐学院,浙江杭州311121 [2]中国音乐学院,北京100101

出　　处：《美育学刊》2023年第3期69-73,共5页Journal of Aesthetic Education

摘　　要：近年来,国内外一些音乐学家开始研究纯音乐作品的叙事性。音乐没有语义性,用隐喻来表达具有语义性的内容,几乎是音乐这种艺术形式唯一的表现方法。我国传统民族器乐作品中所采用的隐喻手法可总结为声音模拟、数字隐喻和文字隐喻三类。In recent years,musicologists both domestically and internationally have begun to study the narrative nature of pure musical works.However,music has no semantic meaning and using metaphors to express semantic content is the only way to express music as an art form.The metaphorical techniques adopted in traditional Chinese ethnic instrumental music can be summarized into three categories:sound simulation,digital metaphor,and textual metaphor.

关 键 词：民族器乐作品 音乐叙事 隐喻 中国 

分 类 号：J647[艺术—音乐]