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作 者:王玉珊[1] 何胜莉[2] 敬城 Wang Yushan;He Shengli;Jing Cheng
机构地区:[1]四川财经职业学院 [2]四川省社会科学院文学研究所 [3]新华文轩出版传媒博士后科研工作站,四川成都610000
出 处:《中华文化论坛》2023年第2期141-149,190,191,共11页Journal of Chinese Culture
摘 要:朱谦之的音乐文学史观“一个时代有一个时代的音乐文学”与王国维的文学史观“一代有一代之文学”一脉相承,都承袭自焦循的“一代有一代之所胜”文学发展思想。以此观点看当代流行音乐,其发展方向正是今天的“一代之所胜”。目前流行音乐尚有爱情主题比重过高、谱曲可歌离谱可赏性不强、环境负面影响过多等缺陷,如能发挥民族一脉和通俗一脉的互补优势,扩大主题关注,顺应时代潮流,结合新诗创作,将有望成为本时代真正的音乐文学代表。It is in the same vein that Zhu Qianzhi's musical literature historical viewpoint of an era has its own musical literature and Wang Guowei's literature historical viewpoint of an era has its own literature,and both of them inherited the literature developing viewpoint of an era having the thing that is outstanding from Jiao Xun.Surveying the contemporary pop music from this viewpoint,its developing direction is the thing that is outstanding in this era.However,today's popular music stil has defects such as the heavy proportion of love theme,outrageous and appreciable composition,and too many negative surroundings'impact,etc.If music people can give full play to the complementary advantages of the national and popular in the same vein,expand the theme attention,conform to the trend of the times,and combine the creation of the new poetry,it will be expected to become the true and real representative of music literature in this era.
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