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作 者:张慧佳[1] 潘链钰[2] ZHANG Hui-jia;PAN Lian-yu(School of Literature and Journalism,Xiangtan University,Xiangtan,Hunan 411105,China;School of Chinese Literature,Hunan Normal University,Changsha,Hunan 410081,China)
机构地区:[1]湘潭大学文学与新闻学院,湖南湘潭411105 [2]湖南师范大学文学院,湖南长沙410081
出 处:《湘潭大学学报(哲学社会科学版)》2023年第3期137-143,共7页Journal of Xiangtan University:Philosophy And Social Sciences
基 金:国家社会科学基金项目“周游三教视阈中的唐宋诗学转型研究”(17CZW002)。
摘 要:《牵牛织女》诗演映了杜甫诗之理、事、情的三个文化维度。于事而言,杜甫以“牵牛织女”之事既揭七夕民俗之假,又借之谲谏君主,渴求恩义之真。于情而言,七夕佳节建构了“牛女—李杨”的爱情象喻,因时因地地引发了杜甫的慕汉之思。于理而言,夫妻、君臣、公私是自孟子以来哲学探讨的三个人性维度,杜诗发扬了即理即仁的孟子哲学,成为中唐北宋以来理学思想之由蘖。The poem Qian Niu Zhi Nv reflects the three dimensions of Du Fu's poems known as Li,Shi and Qing(roughly equivalent to reason,event and emotion in English).From the perspective of Shi,Du Fu uncovered the falsehood of folk customs related to the Qixi Festival by the story about the cowboy and the girl weaver,and also took advantage of it to craftly admonish the emperor,hankering for true kindness and righteousness.In terms of Qing,the joyous Qixi Festival developed into an allusion image of the love between Emperor Li Longji and his beloved concubine Yang Yuhuan,which,in line with the time and place,triggered Du Fu's yearning for the Han Dynasty.With regard to Li,husband and wife,monarch and subjects,public and private were the dimensions of humanity that had been probed into by philosophers ever since the age of Mencius.Du Fu's poems had promoted the Mencius philosophy,and developed into the origin of Neo-Confucianism since the middle Tang Dynasty and the earlier Song Dynasty.
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