晋商大院吉祥图形设计实践教学——以丝巾设计为例  

The Research and Practice Teaching of Auspicious Graphic Art in Shanxi Merchant Courtyard:Taking Silk Scarf Graphic Design as an Example

作　　者：郑崴[1] 陈沁 ZHENG Wei;CHEN Qin(Taiyuan Normal University,Jinzhong 030619,China)

机构地区：[1]太原师范学院,山西晋中030619

出　　处：《西部皮革》2023年第10期66-68,共3页West Leather

基　　金：太原师范学院研究生教育改革研究课题“晋商大院图形设计实践教学研究”(SYYJSJG-2118)。

摘　　要：晋商大院是山西传统古建筑文化的重要组成部分,其依附于山西传统古建筑装饰艺术的吉祥图形,不仅凝聚了山西地区独特的文化底蕴和人文内涵,还呈现出美学层面的艺术价值。以晋商大院吉祥图形为研究对象,通过对其图形艺术的研究发挥晋商大院图形艺术的特征与艺术设计教学相融合,把建筑图形应用于丝巾设计中寻找传统文化与现代设计适宜的契合点,为传统纹样元素的运用提供相关借鉴与启示。Shanxi Merchant Courtyard is an important part of Shanxi traditional ancient architecture culture.It is attached to the auspicious graphics of Shanxi traditional ancient architecture decorative art,which not only embodies the unique cultural deposits and humanistic connotation of Shanxi,but also presents the artistic value of aesthetics.In this paper,the auspicious graphics of Shanxi Merchants Courtyard as the research object,through the study of its graphic art to play the characteristics of the graphic art of Shanxi Merchants Courtyard and art design teaching integration,the application of architectural graphics and silk scarf design to find the traditional culture and modern design of the appropriate meeting point,to provide relevant reference and inspiration for the use of traditional pattern elements.

关 键 词：晋商大院 吉祥图形 艺术特点 丝巾 教学实践 

分 类 号：G642[文化科学—高等教育学]