明末清初江南文人艺术风格流变的成因研究  

A Study on the Causes of the Develop and Change of the Artistic Style of the Literati in Jiangnan at the End of the Ming Dynasty and the Early Qing Dynasty

作　　者：熊婧怡 陈建新[1] Xiong Jingyi;Chen Jianxin(School of Art and Design,Wuhan University of Technology,Wuhan 430070,China)

机构地区：[1]武汉理工大学艺术与设计学院,武汉430070

出　　处：《艺术与设计（理论版）》2023年第5期52-55,共4页Art and Design

基　　金：2020年度国家社科基金艺术学一般项目“明末清初之造物思想嬗变及创新价值研究”(项目批准号:20BG133)阶段性成果之一。

摘　　要：古代造物之于现代设计,宛如沃土之于树苗,现代设计实践中,以古为鉴尤为重要。明清之际,文人奇士辈出,造物空前繁盛。文章从该时期江南地区的文人造物艺术风格的流变过程入手,将影响其流变的宏观成因归结为时代、经济、社会环境三种,并深入分析大环境下哲学思潮的迭代与审美观念的变迁对文人造物的共同作用,最终得出明末清初中江南文人造物艺术风格的流变成因,与其对现代设计融合变化的新启发。Ancient creation is to modern design,just like fertile soil is to saplings,and in modern design practice,it is particularly important to learn from the past.The Ming and Qing dynasties were at the peak of feudal society,with literati and strange men and creations prosperous as never before.Starting from the develop and change of literary and man-made objects in the Jiangnan region during this period,this paper summarizes the macroscopic causes affecting its flow into three types:politics,economy and class,and deeply analyzes the combined effect of the iteration of philosophical trends and the change of aesthetic concepts on creation thought in the general environment,and finally concludes that the develop and Change of Jiangnan literary and man-made art styles in the Ming and Qing dynasties is the new inspiration for the integration and change of modern design.

关 键 词：明末清初 文人造物 江南 流变 

分 类 号：J0[艺术—艺术理论]