经典叙事学视角下的编剧叙事研究——历史、框架与问题  

Studies of narratives in playwriting from classical narratology--History,framework and problems

作　　者：刘艳卉[1] Liu Yanhui

机构地区：[1]上海戏剧学院戏剧文学系

出　　处：《戏剧（中央戏剧学院学报）》2023年第2期122-133,共12页Drama:The Journal of the Central Academy of Drama

基　　金：教育部人文社科规划基金项目“经典叙事学与现代编剧理论的融通研究”(项目编号:21YJA760039);教育部新文科研究与改革实践项目“‘中国戏剧故事工厂’创新实践与探索”(项目编号:2021160027)的阶段性研究成果;国家社科基金艺术学重大项目“中国话剧编剧学理论研究”(项目编号:22ZD07)。

摘　　要：从经典叙事学出发的编剧叙事研究,必须要实现原有的叙事学框架与编剧学体系的融合,既讲“解构”也讲“结构”,既重视理论的推演,也重视对实践的指导。根据戏剧文本实际去重塑叙事者、叙事视角、叙话语、叙事时空等叙事学概念,还要探讨以上概念与戏剧结构、戏剧人物、戏剧冲突、戏剧场面等编剧学概念之间的关联与互动,从而实现对编剧理论的真正变革,对未来的戏剧创作作出前瞻性的理论指导,对剧作实践发挥实质性的指导意义,也为戏剧史、戏剧理论研究提供新思路。Studies of narratives in playwriting from classical narratology should integrate the existing narratological framework with studies of playwriting and dramaturgy.Structure and deconstruction should both be considered,not to mention the theoretical deduction and guidelines in practice.The concepts in narratology,including the narrator,point of view,discourse,time,and space,need to be reshaped based on the texts.In addition,it is important to explore the correlation and interaction between the concepts above and dramatic structure,characters,conflicts,scenes,and other concepts.With these tasks accomplished,the theories in playwriting and dramaturgy can be legitimately improved,to guide future playwriting in both theory and practice and to prove new ideas for studies of drama history and theory.

关 键 词：编剧叙事 经典叙事学 戏剧 叙事者 

分 类 号：J80[艺术—戏剧戏曲]