德彪西钢琴音乐与中国近现代钢琴作品对比研究——以《水中倒影》《平湖秋月》为例  

A Comparative Study of Debussy Piano Music and Chinese Modern Piano Works——Taking Refl ection in the Water and Autumn Moon on Pinghu Lake as Examples

作　　者：高苗苗 Gao Miaomiao(Cai Jikun School of Music,Minjiang University,Fuzhou 350000,China)

机构地区：[1]闽江学院蔡继琨音乐学院,福建福州350000

出　　处：《黑河学院学报》2023年第5期131-134,共4页Journal of Heihe University

摘　　要：德彪西是近代印象主义音乐创始人,敢于大胆尝试各种乐风,使印象派特有的织体表达、音响效果及音乐形式得以充分展示,形成了音乐层面个性鲜明的美学观念。德彪西吸取了东方音乐因素,中国的音乐形式对其产生了深远影响,其创作的音乐内容总与东方音乐相似。其钢琴曲《水中倒影》与《平湖秋月》这首中国作品关联性较强,大有异曲同工之感。《水中倒影》与《平湖秋月》在音乐创作理念、方式、技法、旋律构成等方面类似,但二者写意意境有所不同,技法也有所差异,但不能否认文化交流之处。Debussy is the founder of modern impressionist music.He dares to try all kinds of music styles,fully displaying the unique texture expression,sound eff ect and music form,thus forming the aesthetic concept with distinct personality on music level.Because Debussy is profoundly infl uenced by Chinese musical form,he would like to absorb oriental music factors in the composition,which make the musical content he created always like that of oriental music.His piano song Refl ection in the Water is closely related to the Chinese work Autumn Moon on Pinghu Lake,which makes the two a great sense of similarity.They are similar in music creation concept,methods,techniques and melody composition despite diff erences in freehand conception and technique.To this end,people cannot deny the cultural exchange between the two.

关 键 词：《平湖秋月》 《水中倒影》 近代钢琴曲 印象派 德彪西 

分 类 号：J616[艺术—音乐]