叩问生活之道——散论影像民族志的人类学理想和形式  

Anthropological Ideals and Forms of Ethnographic Film

作　　者：朱晓阳 Zhu Xiaoyang

机构地区：[1]云南大学西南少数民族研究中心,650091 [2]云南大学 [3]北京大学社会学系

出　　处：《世界社会科学》2023年第1期97-114,244,245,共20页SOCIAL SCIENCES INTERNATIONAL

基　　金：教育部高校人文社会科学重点研究基地重大项目“民族学本体论转向下的中国视角及实践研究”(22JJD840005)的阶段性成果。

摘　　要：本文以近期影像民族志和影视人类学中的一些现象为例,在人类学目标与艺术的关系下讨论“形式”为本的影像民族志。本文所谈的影像民族志“现象”指民族志纪录片“故事—形式化”和物质或非物质文化遗产纪录电影中出现的强调“社会情景”现象。这些现象也出现在其他与人类学关联的艺术研究中,例如戏剧的人类学研究等。最后以两个案例来讨论本文所称之“形式”问题:第一个案例讨论“用巫师的语言书写巫技”的影像民族志如何可能;第二个案例则关涉追溯村民自治真相的形式性问题。Taking some recent phenomena in ethnographic film and visual anthropology as examples,this paper discusses"form"-based ethnographic film in relationship to anthropological goals and art.The"phenomenon"of ethnographic film discussed in the article refers to the phenomenon of emphasizing"social situations"in ethnographic documentaries,as well as the"story-formalization"in tangible or intangible cultural heritage documentaries.These phenomena also appear in other studies associated with"anthropology",such as the anthropological study of drama.This paper will use two cases to discuss what is referred to as"form"problem.The final part of this paper is devoted to two cases of ethnographic film:the first case is used to discusses how the ethnographic film of"writing witchcrafts in the language of witch"might be possible;the latter case concerns the forms of tracing the truth about villagers'self-government.

关 键 词：影像民族志 影视人类学 形式 社会情景 

分 类 号：C912.4[经济管理]