艺术作为开源系统:“系统环境”视角下的人工智能艺术创作  

Art as an Open Source System:Artificial Intelligence Art from the Perspective of"System Environment"

作　　者：林云柯 Lin Yunke

机构地区：[1]华东师范大学国际汉语文化学院比较文学系、全球中文发展研究中心

出　　处：《电影艺术》2023年第3期37-44,共8页Film Art

摘　　要：“技术手段—处置对象”的既定模式一直是人工智能创作相关问题难以摆脱的思维定势,并以此将技术手段替换为文艺作品的客观化形态。但实际上,在数字化技术进程中,“文学”“影像”及其他文艺表达并非是被置入的对象,而是存在一种本就以“文学”(literary)为原理的数字化系统环境。在泰德·尼尔森的“上都系统”以及唐纳德·克努特的“文学编程”中,此类系统环境显著地以完全的“开源”为终极追求,并反过来重构了人工智能时代对文艺创作的理解。The established mode of"technical means-object disposal"has always been the thinking set which is dificult to get rid of when we talk about the creation of artificial intelligence.In this mode,the technical means has been treated the objectification form of literary works.However,in fact,in the process of digital technology,"iterature","image"and other literary and artistic expressions are not inserted objects,but a digital system environment based on"iterary".In Ted Nelson's"Xanadu"and Donald Knuth's"literary programming",such system environments,complete“open source"”is the ultimate pursuit,and restructure the understanding of literary creation in the era of artificial intelligence.

关 键 词：人工智能 语言行为理论 开源系统 “上都” 神经—影像 

分 类 号：TP18[自动化与计算机技术—控制理论与控制工程] I04[自动化与计算机技术—控制科学与工程] J04[文学—文学理论]