晚清民初的电影知识:从开通智识到作为常识  

Film Knowledge in the Late Qing Dynasty and the Early Republic of China:From Film Opening Knowledge to Film as Common Sense

作　　者：吴迎君[1] Wu Yingjun

机构地区：[1]西北大学文学院

出　　处：《电影艺术》2023年第3期147-153,共7页Film Art

摘　　要：甲午战争后传入的舶来品电影,在晚清《申报》《大公报》等报纸上,被赋予娱乐以外的“开通智识”价值。民初国产电影业兴起后,各种报刊的常识增刊、栏目、文章更明确进行作为国民常识的“电影常识”建构。近代辞典和教科书阐述电影科学知识,常识读物构筑包括电影原理科学知识和电影行业操作知识的“电影常识”,新式民间日用类书把“影戏常识”塑造成国民常识体系的关键性知识,在近代中国的思想知识转型时代,最终形成“电影作为常识”的观念共识。Film was widely endowed with the value of"develop knowledge"other than entertainment in newspapers such as Shenbao and Ta Kung Pao in the late Qing Dynasty.In the early period of the Republic of China,the common sense supplement,common sense column and common sense article of various newspapers and periodicals were more clearly constructed as"national common sense".In modern china,dictionaries and textbooks elaborated on the scientific knowledge of film in a broad sense,while common sense readings constructed a comprehensive"film common sense"including scientific knowledge of film principles and operational knowledge of the film industry.The new folk daily-use books shaped"film common sense"into the key knowledge in the national common sense system.In the era of knowledge transformation in modern China,the conceptual consensus of"film as common sense"was finally formed.

关 键 词：晚清 民初 百科全书 电影常识 

分 类 号：J909.2[艺术—电影电视艺术] K25[历史地理—历史学]