范稳长篇小说结构艺术的流变  

The Evolution of Structural Art in Fan Wen's Novels

作　　者：宋家宏 Song Jiahong

机构地区：[1]云南大学文学院,昆明650091

出　　处：《中国文学批评》2023年第2期54-60,190,共8页Chinese Journal of Literary Criticism

摘　　要：从《水乳大地》算起,范稳迄今共发表了7部长篇小说,其结构形式丰富多样,为中国当代长篇小说增添了浓重的一笔。《水乳大地》是“合拢式”的结构,时间跨度长达百年,像大江筑堤坝,从两岸起笔,向中间合拢;《吾血吾土》是“展开式”的结构,从20世纪50年代开始,从中间起笔,向两端展开;《重庆之眼》以一个叙事单元的线索为主,交织起其余叙事的内容,形成了小说的艺术整体;最新的《太阳转身》则又回归了朴素的线性结构。从范稳长篇小说的结构艺术流变,可以看出其对长篇小说的结构问题有着深入的研究和理解,在叙事的空间与时间处理、叙事单元的组合等方面做了多种探索。Fan Wen has published a total of seven novels with rich and diverse structural forms,constituting an important part of contemporary Chinese novels.Harmonious Land forms an“enclosed”structure with a time span of up to a hundred years,which is similar to building a dam over a broad river whose construction starts from both banks and finalizes in the midstream.My Blood,My Land displays an“unfolded”structure starting from the 1950s(the middle)and spreading towards both chronicle ends.The Eye of Chongqing interweaves clues of one highlighted narrative unit with the remaining narrative content,forming the artistic integrity of the novel.The most recent The Turn of the Sun retreats to a simple linear structure.

关 键 词：小说结构 合拢式 展开式 叙事单元 

分 类 号：I207.425[文学—中国文学]