对话与共存:论范稳的藏地想象  

Dialogue and Coexistence:On Fan Wen's Imagination on Tibet

作　　者：丛治辰[1] Cong Zhichen

机构地区：[1]北京大学中国语言文学系,北京100871

出　　处：《中国文学批评》2023年第2期61-70,190,共11页Chinese Journal of Literary Criticism

摘　　要：范稳的“藏地三部曲”是新世纪藏地想象的重要成果,在汉语文学书写藏地的谱系中具有突破性价值。从徐怀中《我们播种爱情》开始,对于藏地的书写总是关怀这片古老大地的现代性命题,“藏地三部曲”则将这一命题向更深、更复杂处挖掘,在滇藏边地多民族共同生活、多元文化交融发展的特殊空间,探讨了藏地文化的丰富内涵,在传统与现代交替的时刻,写出了包括藏族同胞在内,不同民族、不同宗教的人们彼此对话、共生共存的历史过程。某种意义而言,范稳是以小说的方式,为“中华民族共同体”这一重要命题提供了生动的文学注脚。Starting from Xu Huaizhong's We Sow Love,the writings on Tibet,has unceasingly concerned the proposition of modernity on this ancient land while the Trilogy of Tibet probes deeper and more complex domains of the proposition.The works investigate rich connotation of Tibetan culture in the Yunnan-Tibet border region which witnesses the co-residence of multiple ethnic groups and crossover of multiple cultures.Amid the transition from tradition to modernity,he writes about the historical process where exchange and co-existence take place between people from different ethnic groups and with different religious backgrounds,including Tibetans.

关 键 词：《水乳大地》 《悲悯大地》 《大地雅歌》 现代性 共同体 

分 类 号：I207.42[文学—中国文学]