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作 者:刘姗姗 LIU Shan-shan(Foreign Language Institute,Fujian Business University,Fuzhou Fujian 350012,China)
出 处:《廊坊师范学院学报(社会科学版)》2023年第2期34-40,共7页Journal of Langfang Normal University(Social Sciences Edition)
基 金:2021年福建省级线下一流课程“跨文化商务交际导论(英语)”(闽教高[2021]52号)阶段性成果。
摘 要:米兰·昆德拉的小说《慢》因其诡谲、荒诞的外表影响了中国读者接受和阐释的热情。然而,正是“诡谲”形式与“荒诞”内容的结偶配对,彰显了这部作品的艺术玄机。从结构主义视角来看,昆德拉通过表层结构中异时场景的突兀并置,使作品呈现出融合之美、反差之美、节奏之美;通过中层结构中虚拟叙事及其符号功能的运用,将构成小说内容和形式的所有异质元素凝结成了一个统一的整体;通过深层结构中的“存在之思”反思自由精英的人格缺陷,在“出神之讽”中揭露躁狂人类的灵魂迷失,在“速度之问”中批判资本世界的精神危机,显示出巨大的现实批判的力量。Milan Kundera's novel La Lenteur has influenced the Chinese readers'enthusiasm for acceptance and interpretation due to its treacherous and absurd appearance.However,it is the pairing of"treacherous"forms and"absurd"content that highlights the artistic mystery of this work.From the perspective of structuralism,Kundera presents the beauty of fusion,contrast,and rhythm through the abrupt juxtaposition of different time scenes in the surface structure.Through the use of virtual narration and its symbolic functions in the middle structure,all the heterogeneous elements that constitute the content and form of the novel are condensed into a unified whole.He reflects on the personality defects of the liberal elite through the"thought of existence"in the deep structure,exposes the soul loss of manic humans in the"ecstatic irony",and criticizes the spiritual crisis of the capital world in the"question of speed",thereby making his work to demonstrates the great realistic critical power.
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