电影接受史研究的理论与方法  

The History of Film Reception:Theory and Method

作　　者：林吉安 Lin Ji'an

机构地区：[1]华中师范大学新闻传播学院影视传播研究中心

出　　处：《艺术传播研究》2023年第1期93-102,共10页Journal of Art Communication

基　　金：国家社科基金后期资助一般项目“中国电影放映史(1897—1949)”(编号:21FYSB008)的阶段性成果。

摘　　要：电影接受史是电影史研究中一个被人们长期忽视而有待深入挖掘的研究领域。它深受受众研究传统的影响,主张将观众的审美经验纳入电影史的研究视野。它与现有的电影美学史、电影批评史、电影传播史、电影观众史等研究领域在研究对象、研究视角、研究内容和研究方法等方面均存在明显区别。电影接受史研究应从接受主体、接受对象、接受时间、接受语境等多方面切入,综合考察观众对电影的接受情况。它不仅可以弥补传统电影史的不足,还能开拓一片新的研究领域,为电影史研究提供新的学术生长点。The history of film reception is a new field that needs further exploration.As a new approach in film history studies,the study of film reception history advocates that the audience's aesthetic experience should be included in the research scope and that the film history should be studied from the perspective of audience reception.It has both intersections and differences with existing research fields,such as the history of film aesthetics,the history of film criticism,the history of film communication,and the history of film audience.The reception subject can be divided into the fllowing:impact history focusing on ordinary audience's reception,interpretation history focusing on film critic's reception,and influence history focusing on filmmaker's reception.The reception object mainly includes the history of acceptance towards and the that of filmmaker's acceptance.From the perspective of time,it can be divided into synchronic horizontal receptive history and diachronic vertical receptive history.From the perspective of reception context,factors such as location,environment,medium,and film version should be explored.The study of film reception history can not only make up for the absence in traditional film history but also provide a new angle of academic exploration for the study of Chinese film history.

关 键 词：电影接受史 接受美学 积极受众 

分 类 号：J909.1[艺术—电影电视艺术]