敦煌本《四十九种坛法仪则》与《坛样图》发微  

On the Relationship between Dunhuang Manuscripts of Regulations for Forty-Nine Esoteric Mandalas and Master Drawings of Mandalas

作　　者：纪应昕 JI Yingxin(Institute of Dunhuang Studies,Lanzhou University,Lanzhou 730020,Gansu)

机构地区：[1]兰州大学敦煌学研究所,甘肃兰州730020

出　　处：《敦煌研究》2023年第2期88-97,共10页Dunhuang Research

基　　金：教育部重大课题攻关项目“敦煌佛教疑伪经全集整理与研究”(22JZD027)。

摘　　要：敦煌本《四十九种坛法仪则》是敦煌特有的密教坛场文本,P.2012、P.4009《坛样图》是与之相互配合使用的坛场图样。作为举行法会时各种坛场设置与各种尊像安置的依据,二者体现出文图同一性,同时也是古代敦煌密教坛场的珍贵资料与真实写照。The Dunhuang version of Regulations for Forty-Nine Esoteric Mandalas is a text on esoteric mandala rituals that is unique to the Dunhuang region.Both the document P.2012,and manuscript P.4009,Master Drawings of Mandalas,provide drawings to be used in conjunction with the text,and were thus very useful for setting up different mandalas in combination with statues of various Buddhist deities during important rituals.Textual analysis has further discovered that both the texts and the line drawings in the manuscripts are identical.These documents are precious materials for understanding the esoteric mandala rituals of ancient Dunhuang,especially when referenced in combination with one another.

关 键 词：坛场源流 坛法文本 坛场图稿 同一性 

分 类 号：G256.1[文化科学—图书馆学] B945[哲学宗教—宗教学]