反弹琵琶舞探源与创新  

Seeking the Origins of“Playing the Pipa behind One's Back”and the Creation of this Play Style as a Form of Dance

作　　者：史敏[1] 蔡均适 陈奕宁 SHI Min;CAI Junshi;CHEN Yining(Department of Chinese Classical Dance,Beijing Dance Academy,Beijing 100081)

机构地区：[1]北京舞蹈学院中国古典舞系,北京100081

出　　处：《敦煌研究》2023年第2期135-141,共7页Dunhuang Research

摘　　要：本文基于对反弹琵琶舞姿形象多年的理论研究与舞蹈实践,提出“反弹琵琶源为舞”的基本观点。通过梳理反弹琵琶舞姿的史料源头和舞蹈实践脉络,最终落脚于作品《反弹琵琶舞》边舞边弹回归于乐舞合一的艺术形式,分析其中以敦煌文化为创作灵感的舞蹈思维建构,期望在传承创新的基础上激活敦煌艺术生命的延续与勃发。Based on years of dance practice-including experience with the technique of"playing the pipa behind one's back"-this paper proposes that this style of dance gradually developed from Chinese dance practices.By combing through historical sources related to ancient dance practices,with particular attention paid to art forms in which musical performance and dancing were integrated,the conclusion has been made that"playing the pipa behind one's back"originated as a formal style of dance.The study continues by discussing how the thought and feelings surrounding dance inspired Dunhuang culture,in an effort to stimulate continued inheritance and innovation in the continued evelopment of Dunhuang art.

关 键 词：敦煌舞 反弹琵琶 舞蹈创作 

分 类 号：K892.24[历史地理—民俗学] J720.9[历史地理—历史学]