《丹尼尔·德隆达》的犹太景观与民族认同  

Jewish Landscapes and National Identity in Daniel Deronda

作　　者：赵婧[1] 宁瑞琴 Zhao Jing;Ning Ruiqin(School of Foreign Languages,Fuzhou University,Fuzhou 350108,China)

机构地区：[1]福州大学外国语学院,福建福州350108

出　　处：《福州大学学报（哲学社会科学版）》2023年第3期148-155,172,共9页Journal of Fuzhou University(Philosophy and Social Sciences)

基　　金：国家社会科学基金项目“乔治·艾略特小说的日常生活书写与民族认同研究”(18BWW048)

摘　　要：《丹尼尔·德隆达》是乔治·艾略特晚年创作的最后一部长篇小说。该作品因犹太主题引发了学界颇多争议,但却体现了小说家同情弱势民族,并通过书写犹太族群的生存状态,思考民族身份和民族关系问题的深刻用意。该文本立足日常生活,将经验事实与超验情感相结合,扩充了对现实景观的想象图景。人文景观作为特殊文化符号,隐喻其所关联主体的集体记忆。其中,犹太教堂景观有助于溯源犹太传统宗教,而犹太市井反映了犹太人的日常生活情状。通过这些人文景观,小说阐释了流散英国之犹太族群的民族想象与集体认同。同时,小说寄予了艾略特对建立和而不同的民族关系之希冀。因此,其景观书写不仅具备文学审美价值,更诠释了小说家的政治思想倾向。The Jewish writing in George Eliot’s last novel Daniel Deronda roused heated discussions.By depicting the landscapes of the diaspora Jewish communities in Britain,Eliot as an elite novelist in the Victorian era shows her sympathy for weaker nations,expressing her in-depth thinking on issues of national identities and relationships.The novel’s realistic writing is transformed into a combination of material reality and extrasensory experiences of the everyday life of both British and Jewish people.In it,the landscape,being a special cultural symbol,stands for the metaphorical meanings of national identities,which are closely associated with certain groups of subjects.Hence,Daniel Deronda’s representation of the Synagogue for the Jewish religion and that of the Ghetto for Jewish everyday life reveal the national imagination and collective identity of the diaspora Jews living in Britain.At the same time,the novel is embedded with Eliot’s endorsement of the universal coexistence and harmony of different nations.Therefore,the landscape depiction in the novel bears the unique political tendency of the novelist as well as unique aesthetic values.

关 键 词：《丹尼尔·德隆达》 景观 犹太民族 民族认同 

分 类 号：I106[文学—世界文学]