魏晋南北朝仿乐府《燕歌行》创作及其艺术追求  

The Imitation Yue Fu Poetry"Yan Ge Xing"and Its Creation and Artistic Pursuit inWei,Jin and Southern and Northern Dynasties

作　　者：崔钰[1] Cui Yu(School of Music Education,Shenyang Conservatory of Music,Shenyang 110818,Liaoning,China)

机构地区：[1]沈阳音乐学院音乐教育学院,辽宁沈阳110818

出　　处：《伊犁师范大学学报》2023年第1期44-49,共6页Journal of Yili Normal University

摘　　要：魏晋南北朝仿乐府《燕歌行》创作,从曹丕父子开始,到陆机与谢灵运的继续,再到南朝萧梁统治时期萧子显、王褒、梁元帝、庾信四人的仿作。至此,《燕歌行》已形成一个相对独立的系列性艺术模仿现象。立足其时诸多《燕歌行》产生的历史背景与文学艺术思潮,再从作品本身及作者艺术追求的角度考察分析,可以见出:不同出身、不同时代和不同生活境遇的作家,因为环境和生活状况的作用,受着所在时代艺术风气的影响,尽管他们模仿着同一个《燕歌行》样板,却产生了风貌各异的《燕歌行》作品;在此过程中,仿作虽然很少突破作为样板《燕歌行》的基调与内容框架,但不同的仿作却又比较明显地体现出作家词采华美艳丽、韵律婉转清新、意境缠绵悱恻等艺术追求和审美情趣。In the Wei,Jin,Southern and Northern Dynasties,the imitation Yue Fu poetries"Yan Ge Xing"were created from Cao Pi and his father,to Lu Ji and Xie Lingyun,and then to Xiao Zixian,Wang Bao,Liang Yuandi(an Emperor of Liang Dynasty)and Yu Xin.So far,"Yan Ge Xing"has formed a relatively independent series of artistic imitation phenomenon.Based on the historical background and literary and artistic trend of thought of"Yan Ge Xing"produced at that time,and from the perspective of the work itself and the author's artistic pursuit,we can see:Writers from different backgrounds,different times and different life circumstances,due to the effect of their environment and living conditions,were influenced by the artistic atmosphere of their times.Although they imitated the same model of"Yan Ge Xing",they produced works of Yan Gexing with different styles.In this process,although the imitations rarely break through the tone and content framework of the model"Yan Ge Xing",different imitations obviously reflect the writer's artistic pursuit and aesthetic taste,such as colorful lyrics,graceful and fresh rhythm,soft and sentimental mood.

关 键 词：魏晋南北朝 仿作《燕歌行》 艺术追求 审美情趣 

分 类 号：I207.22[文学—中国文学]