现实与幻想之间的矛盾——以金承钰《雾津纪行》为例  

The Contradiction Between Reality and Fantasy—A Case Study of Kim Seung-ok's A Journey to Mujin

作　　者：高瑛海 李文哲[1] GAO Yinghai;LI Wenzhe(College of Korean and Han Language and Literature,Yanbian University,Yanji Jilin,133002,China)

机构地区：[1]延边大学朝汉文学院,吉林延吉133002

出　　处：《文化创新比较研究》2023年第12期6-10,共5页Comparative Study of Cultural Innovation

摘　　要：被称为20世纪60年代感性革命旗手的作家金承钰的短篇小说《雾津纪行》,讲述了“我”前往故乡雾津三天两夜的短暂旅行故事。在现代小说中,空间是作品人物行为和思维依赖的场所,因此空间起到表现观念、意识、心理的作用。关注人主体形成过程的拉康将人的精神领域分为象征界、想象界和实在界。该文以20世纪60年代工业化和城市化为时代背景,提取了首尔和故乡雾津两项对立结构,首尔是象征性秩序的压制和欲望的空间;雾津是逃避处、自我反省或幻想的空间。通过访问以雾津为象征的过去空间,阐述过去与现实空间的对立,表现出主体的分裂局面源于在城市现实中过着自我欺骗生活的自我意识。Kim Seung-ok,a writer known as the flagman of the perceptual revolution in the 1960s,wrote a short story called A Journey to Mujin,which tells the story of a short journey of"I"to my hometown of Mujin for three days and two nights.In modern novels,space is the place where the behavior and thinking of the characters in the work depend on,so space plays a role in expressing ideas,consciousness,and psychology.Lacan,who pays attention to the formation process of human subject,divides the spiritual realm of human beings into the symbolic realm,the imaginary realm,and the real realm.This article takes the industrialization and urbanization of the 1960s as the background,extracting two opposing structures:Seoul and its hometown of Mujin.Seoul is a space of symbolic order suppression and desire;Mujin is a space for escape,self reflection,or fantasy.By visiting the past space symbolized by Mujin,this paper expounds the opposition between the past and the real space,showing that the split situation of the subject originates from the self-consciousness of living a self-deception life in the urban reality.

关 键 词：金承钰 《雾津纪行》 首尔 雾津 空间 对立 

分 类 号：I3[文学—其他各国文学] I7