宋大曲图像遗存研究  

Study on the image remains of Song Daqu

作　　者：陈家乐 Chen Jiale(Chinese national academy of arts)

机构地区：[1]中国艺术研究院

出　　处：《中国舞蹈学》2022年第2期105-122,416,417,共20页CHOREOLOGY IN CHINA

摘　　要：宋大曲在宋代主要由教坊掌管,教坊分四部为法曲部、龟兹部、鼓笛部、云韶部。此四部的设立是依据唐制,但是又有了新的发展。四部名称的增减,尤其是云韶部的记载未与其余三部在一处更有其背后的原因。大曲不仅有乐曲演奏其中还兼备舞蹈演出,所以,大曲往往也是舞曲。但是,并不是大曲演奏每一段都有舞蹈出现,舞蹈从排遍或是入破登场,以独舞和队舞表演为主。其中,独舞分三段式表演。队舞与大曲的关系从内容和编排上都更为紧密。这两种配合从已出土的宋代墓葬之中都有所体现。Song Daqu was mainly managed by the Jiao Fang in the Song Dynasty,which was divided into four parts:Fa Qu,Qiuci,drum and flute,and Yunshao.The establishment of these four divisions was based on the Tang system,but there were new developments.The increase and decrease of the name of the four parts,especially the Yunshao part of the record and the other three parts in a more behind the reason.Daqu is not only performed with music but also with dance performances,so it is often dance music.However,not every piece of grand music performance has dance,dance from“Paibian”or“Rupo”into the stage,including solo dance and team dance performance.Among them,the solo dance is divided into three performances.The relationship between team dance and Daqu is closer in terms of content and arrangement.These two kinds of coordination have been reflected in the excavated tombs of the Song Dynasty.

关 键 词：宋大曲 队舞 墓葬石刻 云韶部 

分 类 号：K87[历史地理—考古学及博物馆学]