论“程式化”在中国民族民间舞教材编创中坚守的必要性  

The Necessity of Sticking to“Stylization”in the Compilation of Chinese Folk Dance Textbooks

作　　者：王昕[1] Wang Xin(Department of Dancing,Beijing Dance Academy)

机构地区：[1]北京舞蹈学院舞蹈学系

出　　处：《中国舞蹈学》2022年第2期328-348,432,433,共23页CHOREOLOGY IN CHINA

摘　　要：“程式化”是原生态中国民族民间舞蹈的本质特征,作为强调训练性、系统性、代表性,以及时代性和前沿性的专业化舞蹈教材,创编过程中守正与创新是绕不开的话题。对原有传统舞蹈知识体系不折不扣的继承,还是为了创新刻意回避、无视存在,是必须要回答的问题。本文从“程式化”的概念与内涵、“程式化”发生的原因、“程式化”坚守的必要性这三部分入手,论证其在中国民族民间舞蹈教材创编中坚守的必要性,和存在价值的不可替代性。“Stylization”is the essential feature of the original Chinese folk dance.As a professional dance textbook that emphasizes training,systematicness,representativeness,as well as timeliness and cutting-edge,the integrity and innovation are stictly required in the creation process.The issue that must be solved is whether to inherit the original knowledge system of traditional dance in an unaltered way,or to deliberately ignore the original works for innovation.This article starts with the concept and connotation of“stylization”,the causes of“stylization”,and the necessity of sticking to“stylization”,and demonstrates the necessity of sticking to it in the Compilation of Chinese folk dance of teaching materials,and it's irreplaceable value.

关 键 词：程式化 中国民族民间舞 教材编创 

分 类 号：J72[艺术—舞蹈]