数字人文视域下的中国现当代女性文学研究  

Research on Modern and Contemporary Chinese Female Literature from the Perspective of Digital Humanities

作　　者：吴玉杰[1] 郑思佳[1] WU Yujie;ZHENG Sijia(College of Literature,Liaoning University,Shenyang 110036,China)

机构地区：[1]辽宁大学文学院,辽宁沈阳110036

出　　处：《辽宁大学学报（哲学社会科学版）》2022年第4期98-105,共8页Journal of Liaoning University(Philosophy and Social Sciences Edition)

基　　金：辽宁省教育厅2020年度科学研究项目“文学史观与中国当代文学史书写的话语型构”(LJC202023)。

摘　　要：百年来,中国现当代女性文学研究取得了一定成果,但随着科学技术与思想观念的不断更新,传统人文研究的自限性逐渐显现。近年来,数字技术与人文研究间的联系日益紧密。一方面,数字技术的渐臻成熟给予学术研究“整理——分析——呈现”等环节方法论的革新,促使女性文学研究由人力主导向人力与数字共同驱动的转变成为可能。另一方面,跨学科、定量化、关联性的数字分析不断刷新女性文学研究的思维方式,将推动女性文学研究在整体式把握、主观定性与定性定量分析相结合、个体批评与多维关系等方面取得突破。然而,面对一种新兴的研究思维与研究方式,学界在肯定其价值的同时,仍要审视其内在的限度与应用的困境。In the past hundred years,the research of modern and contemporary Chinese women's literature has made some achievements,but with the continuous renewal of science,technology and ideology,the self-limiting of traditional humanistic research has gradually emerged.In recent years,the relationship between digital technology and humanities research has become increasingly close.On the one hand,the gradual maturation of digital technology has revolutionized the methodology of collation,analysis,presentation and other links in academic research,making it possible for the study of female literature to change from human-led to human-digitally-driven.On the other hand,interdisciplinary,quantitative and relevant digital analysis constantly refresh the thinking mode of women's literature research,and promote women's literature research to make breakthroughs in the overall grasp,the combination of subjective and qualitative analysis and qualitative and quantitative analysis,individual criticism and multidimensional relations,etc.However,in the face of a new research thinking and way,while affirming its value,it is still necessary to examine its internal limits and the dilemma of application.

关 键 词：数字人文 中国现当代女性文学 研究范式 

分 类 号：I206[文学—中国文学]