高似孙《骚略》刍议--以《九怀》为中心  

On Gao Sisun’s Sao Lue Centered on Jiu Huai

作　　者：李广帅 LI Guangshuai(School of Chinese Language and Literature,Beijing Normal University,Beijing 100875)

机构地区：[1]北京师范大学文学院,北京100875

出　　处：《绍兴文理学院学报》2023年第5期68-75,共8页Journal of Shaoxing University

摘　　要：高似孙将自己拟作的骚体作品辑为《骚略》,这种体例在南宋骚体创作中是较特殊且少见的存在。《九怀》是冠于《骚略》篇首的唯一一组以“九”为体的重要作品。《九怀》呈现出高氏尊崇九体体制,以变骚咏史抒怀、针砭现实的创作特色。以《九怀》为论述中心和落脚点,探讨《九怀》所祭祀的神祇及其序列,寻绎变骚和楚辞体制在《九怀》中的实现路径,为《骚略》的变骚与尊体作一具体说明。Gao Sisun collected his poetic style works as Sao Lue,which was a special and rare style in Southern Song dynasty.Jiu Huai,the only group of important works in the form of“Jiu”at the beginning of Sao Lue,presents Gao’s creative features of respecting Chu Ci,expressing his feelings about history and criticizing reality by the change of“Sao”(a writing of Qu Yuan,an eminent poet of the State of Chu).Taking Jiu Huai as the center and the point of discussion,the paper discusses the gods and their sequence of worship in the work,trying to find the way to express feelings through the change of“Sao”and generating path of the style of Chu Ci in Jiu Huai,so as to give a specific explanation for the changing and respect of“Sao”in Sao Lue.

关 键 词：《骚略》 《九怀》 变骚 尊体 

分 类 号：I222.4[文学—中国文学]