对建筑艺术性与科学性的探索与推进——文艺复兴建筑师巴尔达萨雷·帕鲁齐  

Exploration and Promotion of Artistry and Scientificity of Architecture: Renaissance Architect Baldassare Peruzzi

作　　者：童乔慧[1] 陈馨玉 卫薇 胡嘉渝[1] TONG Qiaohui;CHEN Xinyu;WEI Wei;HU Jiayu(School of Urban Design,Wuhan University,Wuhan University)

机构地区：[1]武汉大学城市设计学院 [2]武汉大学

出　　处：《世界建筑》2023年第6期11-17,共7页World Architecture

摘　　要：巴尔达萨雷·帕鲁齐是文艺复兴盛期的著名画家建筑师,他曾经担任过圣彼得大教堂的首席建筑师。帕鲁齐强调建筑设计的艺术性,创新地将画家的具象思维融入建筑创作中,从空间、平面以及数形构图上探索丰富的设计语言;同时,他关注建筑表达的科学性,将建筑师的理性主义意识与绘图技巧结合,构建了细节的技术分析、数据标注与透视艺术相结合的制图范式,奠定了现代建筑学的科学制图的基础。本文重提帕鲁齐,分析其建筑创作实践与影响,构建其与中国建筑创作与研究发展的关联框架。Baldassare Peruzzi was a mid-Renaissance architect who was one of the chief architects of St.Peter's Basilica Church. He emphasised the artistry of architectural design, creatively integrating the painter's concrete thinking into his design to explore creative design language in terms of space, plan and formal composition;Meanwhile, he paid attention to the scientificity of architectural expression, combined the rational consciousness of architects with painting techniques to construct a drawing paradigm combining detailed technical analysis and data annotation with perspective art, laying foundation of scientific drawing of modern architecture. This paper focuses on Peruzzi, analysing his architectural works and influence to construct a framework of his association with the development of Chinese architectural creation and research.

关 键 词：巴尔达萨雷·帕鲁齐 艺术性 设计语言 科学性 科学制图 

分 类 号：TU-86[艺术—艺术设计]