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作 者:李春秋 Li Chunqiu(China University of Mining and Technology,Xuzhou,Jiangsu 221000,China;Xuzhou Kindergarten Teachers College,Xuzhou,Jiangsu 221000,China)
机构地区:[1]中国矿业大学,江苏徐州221000 [2]徐州幼儿师范高等专科学校,江苏徐州221000
出 处:《漯河职业技术学院学报》2023年第3期70-75,共6页Journal of Luohe Vocational Technical College
基 金:江苏省高校哲学社会科学研究基金项目(2022SJS70585);江苏省教育科学规划课题(B-a/2022/03/12)。
摘 要:“主体性”诗学理论是七月诗派提出的以“主观战斗精神”为核心的现实主义诗歌创作理论。该理论强调诗人的主观能动精神之于创作实践的重要意义,认为饱满真挚、富于力度的情感能够克服诗歌公式化、概念化的弊端;主张写诗要用形象思维,但又拒绝“诗的形象化”,提出创作主体与客体相生相克的创作观,即主体与客体经过相互克服、相互斗争,才能完成诗歌艺术的创造。“Subjectivity”poetic theory is a realistic poetry creation theory with the core of“subjective fighting spirit”put forward by the July school of poetry,which emphasizes the significance of poets’subjective initiative in his creative practice.It holds that full,sincere and vigorous emotion can overcome the disadvantages of formulistic ways and conceptualization of poetry.It also advocates that thinking in images must be used in writing poetry,but firmly rejects the symbolization of poetry.Simultaneously,the paper puts forward the viewpoint of creating poetry concerning mutual promotion and restraint of the creation subject and object,namely,only when they promote and restrict each other can the poetic creation be completed.
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