中国当代艺术音乐创作之求索:作品命意社会化与创作技法现代化的有机融合——“系列”室内乐作品“悲歌—2020”创作杂感与技法提要  

The Exploration of Contemporary Chinese Art and Music Creation:The Organic Integration of Socialization of Works' Destiny and Modernization of Creative Techniques——Summary of Miscellaneous Thoughts and Techniques in the Creation of the "Series" Chamber

作　　者：范哲明[1] Fan Zheming

机构地区：[1]沈阳音乐学院作曲系,辽宁沈阳110818

出　　处：《南京艺术学院学报（音乐与表演版）》2023年第2期1-9,I0002,共10页Journal of Nanjing Arts Institute:Music & Performance

摘　　要：以“系列”室内乐作品《悲歌—2020Ⅰ》与《悲歌—2020Ⅱ》之创作构思为话题,从创作观念与创作技法两个层面阐述和展示了对于中国现代艺术音乐创作的心得体会及具体应用。在创作观念方面,对于“中国特色”艺术音乐的现状做出了简要评价,同时阐述了对于这一艺术品种进一步巩固和发展的认识,建议中国现代艺术音乐创作要更多地关注社会现实。在创作技法方面,罗列了两部作品的音高组织设计以及材料与结构、形式与内容关系上的构想,以此为证来支撑中国现代艺术音乐要以现代作曲技法来呈现的创作观念。This article takes the creative ideas of the author's two "series" chamber music works "Elegy-2020 Ⅰ" and "Elegy-2020 Ⅱ" as the topic,and elaborates and demonstrates the experience and specific application of contemporary Chinese art and music creation from the perspectives of creative concepts and techniques.In terms of creative concepts,the author gave a brief evaluation of the current situation of "Chinese characteristic" modern art music,and put forward personal opinions and suggestions on how to further consolidate and develop this art variety.In terms of creative techniques,the author listed the pitch organization design and the relationship between materials and structure,form and content in his two works,with the intention of using this as an empirical evidence to support his personal understanding of modern art music creation and teaching.

关 键 词：现代艺术音乐 创作观念 创作技法 现代性 核心音高组织 音级集合 

分 类 号：J603[艺术—音乐] J605