莆仙戏目连前传《傅天斗》用韵探析  

An Analysis of the Rhyme Used in the Prequel Fu Tiandou of the Puxian Mulian Opera

作　　者：林慧彬 王进安[1] LIN Huibin;WANG Jin'an(School of Chinese Language and Literature,Fujian Normal University,Fuzhou Fujian 350007,China)

机构地区：[1]福建师范大学文学院,福建福州350007

出　　处：《莆田学院学报》2023年第3期86-92,104,共8页Journal of putian University

基　　金：国家社科基金“冷门绝学”学术团队研究专项(21VJXT003)。

摘　　要：以韵脚系联法考察《傅天斗》的用韵情况,发现《傅天斗》还保留了莆仙戏曲牌71首,在押韵形式上具有多样性,这些特征与莆仙方音和莆仙戏演唱方式密不可分。从音韵学角度探析《傅天斗》唱词,了解《傅天斗》在戏文用韵的特点规律。By examining the use of rhyme in Fu Tiandou with the method of rhyme connection,it is found that Fu Tiandou still retains 71 Puxian operanames of tunes——Qupai,which have diversity in rhyming forms.These characteristics are closely related to the Puxian dialect and the singing style of Puxian opera.From the perspective of phonology,the lyrics of Fu Tiandou are explored to understand the characteristics and laws of its rhyme usage in the opera.

关 键 词：莆仙戏 《傅天斗》 韵部系统 音乐曲牌 莆仙方言 

分 类 号：H114[语言文字—汉语]