超越种族主义:后族裔批评视域中美国戏剧书写的新范式——以三部戏剧为个案  

Beyond Racism:New Post-ethnic Paradigms in American Playwriting

作　　者：薛玉秀[1] 陈爱敏 Xue Yuxiu;Chen Aimin(School of Foreign Languages,Yancheng Institute of Technology,Yancheng 224051,China;Nanjing Institute of Technology,Nanjing 211167,China)

机构地区：[1]盐城工学院 [2]南京工程学院 [3]南京师范大学

出　　处：《当代外国文学》2023年第2期21-28,共8页Contemporary Foreign Literature

基　　金：江苏省哲学社会科学基金重点项目“后批评语境下美国戏剧30年(1990-2020)”(22WWA002);江苏省社科基金一般项目“21世纪好莱坞电影空间生产与价值观建构研究”(21WWB007)的阶段性成果。

摘　　要：后族裔批评作为一种新的批评方式,剖析了种族矛盾产生的根源,揭示了后种族书写的创作特点,成为观照后族裔文学的新路径。将21世纪美国戏剧置于后族裔批评视阈下,不难发现有关种族问题书写不同作家采取了不同范式。一些剧作家,像马梅特选择逆向反击;也有一些剧作家,像诺里斯采用巧妙的情节与幽默的语言等后族裔美学手法来回避、淡化种族问题;更有一些作家,像阿赫塔尔通过乌托邦现实主义手法,建构超越种族主义的美好世界。所有这些范式,可以看作是后种族时代剧作家为了实现超越种族主义、实现族裔和谐共处美好愿景的积极努力。As a new way of criticism,post-ethnic critique explores the root causes of racial conflict,reveals the features of post-racial writings and becomes a new tool to survey post-ethnic literature.Examining 21st-century American plays from the perspective of post-ethnic studies,we find that playwrights,confronting the race problem,have adopted diverse paradigms in their writings.Some,like David Mamet,choose to fight back.Others,like Bruce Norris,adopt post-ethnic aestheticism through skillful plot arrangement and humorous language to avoid confrontation between the races,while still others,like Ayad Akhtar,try to construct a utopian world to realize their raceless dreams.These efforts,considered together,can be regarded as a positive move beyond racism in a post-racial area.

关 键 词：后族裔批评 21世纪美国戏剧 书写范式 

分 类 号：I712.073[文学—其他各国文学]