反复与主体间性——阿兰-罗伯·格里耶《窥视者》中目光的隐喻  

Understanding the Metaphor of Eyes in Alain Robbe-Grillet's Le Voyeur

作　　者：赵苓岑 Zhao Lingcen(School of International Studies,Zhejiang University,Hangzhou 310058,China)

机构地区：[1]浙江大学外国语言文化与国际交流学院

出　　处：《当代外国文学》2023年第2期70-76,共7页Contemporary Foreign Literature

摘　　要：“新小说”之“新”在于表达新的现实,新的现实却并非再现、表现现实世界的新现象、新风貌,而是文学的新现实与新讨论。1955年出版后即引发广泛争议、并在更大的争议声中夺得当年批评家奖的《窥视者》,以目光的诱惑隐喻了“新小说”理论旗手的格里耶想要表达的文学现实:感性材料何以构成文本的主题。以视觉这一感性材料为主题的《窥视者》,试图颠覆以理性认识为根基的传统文学,重塑文学的观看,首先借创作者、叙述者、人物的视觉选择与游移隐喻主体间性,其次借镜头感的叙事策略—反复表现主体间性晦暗不明又诱惑的张力,借目光的交互性让不可见的内在性可见。The“newness”of the“new novel”lies in its expression of new reality,but the new reality is not intended to represent new phenomena and new styles in the real world,but rather to present the new reality and new discussion of literature.After its publication in 1955,Le Voyeur,which caused widespread controversy and won the Critics'Award,used the temptation of eyes as a metaphor for the reality of literature that Alain Robbe-Grillet,the champion of the“new novel”theory,wanted to express,namely,how perceptual materials constitute the meaning of the text.Le Voyeur,based on the perceptual materials of vision,attempts to subvert traditional literature based on rational knowledge and reshape the way in which readers view literature.Firstly,it highlights intersubjectivity through the metaphor of visual choices and the visual wandering of the author,narrator and characters.Then,it focuses repetitively on the obscure and seductive tension of intersubjectivity through narrative strategies that imitate cinematography,thus making invisible interiority visible through the interactivity of the eyes.

关 键 词：阿兰-罗伯·格里耶 《窥视者》 反复 主体间性 目光 

分 类 号：I565.074[文学—其他各国文学]