神话隐喻下的文学阐释与审美乌托邦——诺思洛普•弗莱理论及其对中国文艺批评的启示  

Literary Interpretation and Aesthetic Utopia in the Context of Mythology and Metaphor:Northrop Frye’s Theories and Reference to China’s Literary Criticism

作　　者：高海[1] GAO Hai

机构地区：[1]中国人民大学外国语学院

出　　处：《中国文艺评论》2023年第5期99-110,I0005,共13页China Literature and Art Criticism

摘　　要：近百年西方文学批评史理论迭出,诺思洛普•弗莱被誉为新批评理论的终结者和结构主义的代表。本文主要梳理其论著,分析其系统建构、思想发展和理论诉求。弗莱将西方文学视为一个独立的完整的语言体系,在体系建构上以神话为本体,展示文学史的演变机制,提出文学的循环创造理论,以关怀性作为文学发展演变内涵。弗莱对整体性的追求是有目共睹的,但理论的建构如果超越历史叙事和意识形态范畴,最终只能以审美自律归于乌托邦诉求。弗莱批评之路可对中国文论建设提供借鉴和反思,构建中国特色文艺评论学科体系、学术体系、话语体系乃是正道。In the past hundred years,theories of Western literary criticism have undergone great changes,and Northrop Frye is known as the terminator of the New Criticism and one of the representatives of Structuralism.The article studies his works and analyzes his systematic construction,critical development and theoretical ambition.Frye regards Western literature as an independent and complete rhetorical system.He demonstrates the evolution of literary history by establishing the core status of myth and proposes a circular creation of theory with the focus on the humanistic concern.Frye’s interpretations have overridden the contexts of historical narrative and ideology,which lead his theories to a sort of aesthetic Utopia.Frye’s critical path can provide reference and reflection for the construction of Chinese literary theory,and it is the right way to independently create China’s own critical discursive system,academic system,and evaluation system.

关 键 词：弗莱 神话 想象力 乌托邦 文艺批评 

分 类 号：I0[文学—文学理论]