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作 者:杨建国[1] YANG Jianguo(School of Foreign Languages,Wuyi University,Jiangmen,Guangdong 529020,China)
出 处:《广州大学学报(社会科学版)》2023年第4期66-75,共10页Journal of Guangzhou University:Social Science Edition
摘 要:新千年以来,“后人类”已成为西方理论话语界的一个热门主题,众多学者加入到该主题的讨论中,其中荷兰女学者罗西·布拉伊多蒂的后人类批判理论特色鲜明,已成为当下后人类理论话语中的一个主要声音。立足于德勒兹哲学和女性主义政治实践,布拉伊多蒂的后人类批判理论牢牢抓住“后人类”概念的自我反思性和主体想象性特征,将其界定为“批判性或创造性形象”,在此基础上形成其后人类批判理论的核心四观:以“佐伊(Zoe)”为中心的生命观、以“化”为基础的游牧观、以“局部”为立足的整体观、以“创造”为取向的政治观。梳理布拉伊多蒂后人类批判理论的发展脉络,能够促进国内学界更全面了解这一颇具特色的理论话语。Since the new millennium,″posthuman″has become a hot topic in the field of western theoretical discourse,and many scholars have joined in the discussion of this topic,among whom the Dutch female scholar Rosi Braidotti has become a leading voice in the contemporary discourse of posthuman theories due to her posthuman critical theory.Based on Deleuze′s philosophy and feminist political practice,Braidotti′s posthuman critical theory firmly grasps the self-reflective and subjective imaginative features of the concept of″posthuman″,defining it as a″critical or creative image″.On this basis,the four core views of Braidotti′s posthuman critical theory are formed:the view of life centered on″Zoe″,the view of nomadism based on″becoming″,the view of the global based on″the local″,and the view of politics based on″creation″.This article sorts out the development of Braidotti′s posthuman critical theory,hoping to promote a more comprehensive understanding of her theory in the Chinese academia.
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