从生生美学看当代中式椅具设计系统  

Contemporary Chinese Chair Design System Based on Biological Aesthetics

作　　者：王建 孙仕荣 Wang Jian;Sun Shirong

机构地区：[1]南京艺术学院设计学院,江苏南京210013 [2]江苏第二师范学院美术学院,江苏南京210013

出　　处：《家具与室内装饰》2023年第6期10-15,共6页Furniture & Interior Design

基　　金：江苏省社科基金项目(19YSB018)。

摘　　要：中国传统椅具在“天人合一”造物之道、“太极图示”造物思维、“意在言外”造物观念上有着完备、深厚且朴素的设计系统,本文从生生美学范畴研究传统椅具设计系统的当代传承。研究表明,在生态设计语境下,当代中式椅具造物系统承继了生生美学的生态智慧,历经现代工业文明的洗礼仍具生命活力,在生态伦理上发展起当代“天道、物道、人道”共生统一的价值系统,在设计思维上建立起“共生思维、整体思维、形象思维、事理思维”有机统一的思维系统,在审美意象上建构起“制器尚象、境生象外”互为表里的境象表达系统,这一研究成果为新中式椅具“生态设计创新”提供了新的参考。The traditional Chinese chair design system has a complete,profound,and plain design system in the creation way of"harmony between heaven and human",the creation thinking of"Tai chi diagram"and the creation concept of"hidden meaning between the lines".This paper studies the contemporary inheritance of traditional chair furniture design systems from the perspective of biological aesthetics.The research indicates that,in the context of ecological design,the contemporary Chinese chair and furniture creation system inherits the ecological wisdom of biological aesthetics and still has vitality after the baptism of modern industry.In terms of ecological ethics,it has developed a value system of symbiosis and unity of"the way of heaven,things,and humanity";in terms of design thinking,it has established an organic and unified thinking system of"symbiosis,entirety,image,and logic";and in terms of aesthetic imagery,it has constructed an environment and image expression system of"inventing wares or utensils by adoring images while Creating Artistic Conception with Images"that are mutually external and internal.This research result provides a new reference for the"ecological design innovation"of the new Chinese-style chair.

关 键 词：生生美学 中式椅具 天人合一 太极图示 意在言外 

分 类 号：TS664.1[轻工技术与工程]