筌蹄对中国传统家具发展的影响及其传承研究  

Research on Quanti Infl uence on the Development of Chinese Traditional Furniture and Its Inheritance and Innovation

作　　者：吕九芳 张胜杰[1] LüJiufang;Zhang Shengjie

机构地区：[1]南京林业大学家居与工业设计学院,江苏南京210037 [2]南京林业大学生态文明与林业发展研究院,江苏南京210037

出　　处：《家具与室内装饰》2023年第6期16-21,共6页Furniture & Interior Design

基　　金：教育部人文社会科学研究基金项目(21YJC760017)。

摘　　要：旨在探讨筌蹄传入中国后对绣墩的形成与发展所产生的影响。通过图像学和查找相关古籍文献的方法,从筌蹄造型和使用人群两方面着手,对印度和中国的佛教石窟壁画等资料中的筌蹄进行分析研究。明确了“筌蹄”一词的来源,分析了筌蹄在古印度及之后随佛教在中国的流布与使用情况。提出筌蹄最早作为古印度贵族的坐具,后被佛教作为一种宗教象征符号而广泛使用,在传入中国后得到广泛应用,并直接催生出绣墩这一家具形制。以期进一步完善中国传统家具研究体系,为中国家具史研究提供新思路。This paper aims to discuss the influence of quanti on the formation and development of xiudun after it was introduced into China.Through the method of iconography and searching for relevant ancient books and documents,this paper analyzes and studies the quanti in the Buddhist grotto murals in India and China from the perspectives of their shape and users.This paper clarifies the origin of the word"quanti"and analyzes the distribution and use of quanti in ancient India and later in China with Buddhism.It was proposed that quanti was first applied as the seat of ancient Indian nobles and later widely employed by Buddhism as a religious symbol.It was widely used after being introduced into China and directly gave birth to the furniture shape of xiudun.It is expected to further boost the research system on Chinese traditional furniture and provide innovative notions for the study of Chinese furniture history.

关 键 词：筌蹄 中国传统家具 绣墩 佛教 家具史 

分 类 号：TS664.1[轻工技术与工程]