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作 者:李敏秀[1] Li Minxiu
机构地区:[1]中南林业科技大学家具与艺术设计学院,湖南长沙410004
出 处:《家具与室内装饰》2023年第6期65-69,共5页Furniture & Interior Design
基 金:湖南省普通高等学校教学改革研究项目(HNJG-2021-0533);中南林业科技大学教学改革研究项目。
摘 要:传统女红艺术承载了大量的物质与非物质文化信息,在现代化进程与民族复兴的大背景下,需要探索其传承与发展的方法与路径。文章简要介绍了中国民间传统女红艺术的历史和现状,对土家织锦、刺绣、缝贴布艺、钩针编织以及染色绢花等女红艺术,从功能、表现题材、用材工艺、设计观念、表现手法等方面分析了传承与发扬的可能,以中南林业科技大学设计类专业部分师生为实践主体,基于对民间传统女红艺术中的技艺、形式、内涵等方面的认识,运用换元、移植、优缺点列举、综合、类比、模拟、仿生等创造技法,通过扩展功能门类、变换表现题材、综合现代材料工艺、引入语意符号、借鉴非本土技艺等具体手段,开展了相关的实践活动,创作出装饰画、收纳桶、抱枕、软凳、茶具垫、摆件、灯具等一系列家居陈设品,以期为民间传统艺术的传承与发展积累些许经验。The traditional needlework art carries a throng of material and intangible cultural information.Against the backdrop of modernization and national rejuvenation,it is necessary to explore the methods and paths of its inheritance and development.This paper briefly introduces the history and current situation of traditional Chinese folk needlework art and analyzes the possibility of inheritance and development of needlework art such as Tujia brocade,embroidery,sewing and pasting,crochet,and dyed silk flowers from the aspects of function,expression theme,material technology,design concept,and expression technique.Several professors and students of design majors at the Central South University of Forestry and Technology are the primary practice subjects.Based on the understanding of techniques,forms,and connotations in folk traditional needlework art,the author has carried out relevant practical activities by using creative techniques such as substitution,transplantation,listing of advantages and disadvantages,synthesis,analogy,simulation,and bionics,and by expanding functional categories,changing expressive themes,synthesizing modern materials and techniques,introducing semantic symbols,and learning from non-native techniques.A series of household furnishings such as decorative paintings,storage buckets,throw pillows,soft stools,tea sets,ornaments,lamps,and lanterns are created in order to accumulate some experience for the inheritance and development of traditional folk art.
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