中国古代小说中镜意象的叙事功能演变  

Evolution of Narrative Function for Mirror Image in Ancient Chinese Novels

作　　者：高万鹏 盛志梅[1] Gao Wanpeng;Sheng Zhimei

机构地区：[1]天津师范大学文学院

出　　处：《文学与文化》2023年第1期58-69,共12页Literature and Culture Studies

摘　　要：中国古代小说中镜意象的叙事功能,具有明显的演变痕迹。首先,镜进入小说叙事体系,是以其照妖功能开始的,经常被作为神魔小说中的法宝之一。其次,镜主题小说在唐代开始出现,故事情节出现了典型的“得镜—转镜—失镜”叙事模式。第三,明清时期,镜意象的叙事已经开始具备了玄理与审美的功能,小说家们对于镜意象,已经脱离“搜奇志异”的猎奇阶段,到了能自如地借镜叙事、阐发哲理的审美阶段。The narrative function of the mirror image in ancient Chinese novels has evolved obviously.First of all,mirror image entered the narrative system of novel with monster-revealing function,as a magic device in the novels of gods and ghosts.Then,in the Tang dynasty,novels with the theme of the mirror began to appear,with the story line of typical narration of“getting the mirror,turning the mirror,and losing the mirror”.In the Ming and Qing dynasties,the narrative function of the mirror image began to possess the metaphysical and aesthetical functions.Breaking away from searching for anecdotes,the novelists applied the mirror image to narration at their will,reaching the esthetical stage of interpreting philosophy.

关 键 词：镜意象 主题意识 情节类型 玄理之镜 

分 类 号：I207.41[文学—中国文学]