马克思主义文艺理论的公约数——以“中国式现代化”为依据  

The Common Divisor of Marxist Literary and Artistic Theory:Based on the“Chinese Path to Modernization”

作　　者：崔柯[1] CUI Ke

机构地区：[1]中国艺术研究院马克思主义文艺理论研究所

出　　处：《中国文艺评论》2023年第6期27-37,I0002,共12页China Literature and Art Criticism

摘　　要：近十年来,中国马克思主义文艺理论研究水准提升、格局改观,同时存在瓶颈问题。新时期以来,中国马克思主义文艺理论形成经典、中国与西方马克思主义三分的格局,三者之间,尤其是中国和西方马克思主义文论之间缺少充分的对话,影响了马克思主义文艺理论的深化发展及体系构建。中国马克思主义文艺理论应以“中国式现代化”的理论和实践为依据,以批判资本主义视野和关注绝大多数人维度为公约数,在深层对话的基础上实现理论创新。In the past decade,the research level of Marxist literary and artistic theory in China has been improved and the pattern has been changed,but at the same time,there are some problems.Since the coming of the new era,Marxist literary and artistic theory in China has formed a triple pattern of classical,Chinese and Western Marxism,and the lack of sufficient dialogue between the three,especially between Chinese and Western Marxist literary theories,has affected the deepening development and systematic construction of Marxist literary and artistic theory.Chinese Marxist theory of literature and art should be based on the theory and practice of“Chinese path to modernization”,with a critical vision of capitalism and concern for the vast majority of people as the common divisor,so as to achieve theoretical innovation on the basis of deep-going dialogue.

关 键 词：马克思主义文艺理论 中国式现代化 公约数 

分 类 号：I0[文学—文学理论] D61[政治法律—政治学]